By Richard Harrington
Real-World advertisement initiatives provided in complete colour function the paintings of popular artists, Chris and Trish Meyer, Jayse Hansen, Mark Coleran, Ken Locsmandi and others. The tutorials are advertisement tasks that the artists created for a shopper price range of $10,000 or much less, utilizing in simple terms the plug-ins that include the software program. unique concentration is given to the basic thoughts which are very important to amateur movement photograph artists. The better half DVD includes the resource records required for the reader to duplicate the recommendations in addition to Apple QuickTime shows of the ultimate initiatives. The tasks conceal a variety of useful purposes together with broadcast animation, big-screen movie trailers, track video compositing, trade exhibition displays, DVD menu pix, and cel animation with Flash. * Real-World tasks from 11 movement snap shots execs * discover ways to harness After results' strong toolset * better half DVD comprises all resource records so that you can re-create the tasks
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Additional info for After Effects @ Work: DV Expert Series
Extra dust or smudges on the lens won’t help you here. More useful than the camera will be your tripod. The movement in the textures will usually come from moving the lights or objects, not the camera. This is where the field monitor will come in handy. By being able to see your results, you can make variations in the speed and type of movement. Your best results will often come from macro shots, or extreme close-ups. Camera movement will be too jarring when tightly focused. ) 05 » 36 Light the Way You’re about to spend some time in the dark.
3. In your Timeline, move the sequences between the background and fore- ground layers of your scenery. Place Lucid’s layers above Creaton’s and each shadow layer above its counterpart. 4. Lastly, place the drop shadow below the other sequences and lock the background and foreground scenery layers. Sharpen>Gaussian Blur) and in the Effect Controls, set the Blurriness to 5. 4. Next (not duplicate his shadow) Lucid’s and layer name the duplicate Lucid Shadow Mask 1. 5. Place it above Lucid’s shadow layer.
58 26 » ORIGINAL, WITH NOISE, AND BLUR. :: KICKING UP DUST With a few simple adjustments, you can take the cartoonish, flat dust you animated and give it added vitality while complimenting the scenery. 1. First hide the character layers. 2. Select the Rectangular Mask Tool (Q) and click and drag a mask that starts at the bottom-left corner of the dust to twice its height above on the right side. 3. Then in the Mask properties (M), uncheck the lock aspect ratio on Mask Feather and set the vertical value to around 500, giving 27 » DRAG A RECTANGULAR MASK WITH PLENTY OF HEADROOM.
After Effects @ Work: DV Expert Series by Richard Harrington