By William Boyd
"Rich in personality and incident, An Ice-Cream War fulfills the ambition of the ancient novel at its best."
—The manhattan occasions e-book Review
Booker Prize Finalist
"Boyd has greater than fulfilled the brilliant promise of [his] first novel. . . . he's able not just of a few very humorous satire but additionally of seriousness and compassion." —Michiko Kakutani, The long island Times
1914. In a resort room in German East Africa, American farmer Walter Smith desires of Theodore Roosevelt. As he sleeps, a railway passenger swats at flies, regretting her choice to come to the darkish Continent—and to her husband. On a remote English riverbank, a jealous Felix Cobb watches his brother swim, and curses his sister-in-law-to-be. And within the heritage of the world's day-by-day chatter: rumors of an Anglo-German clash, the likes of which not anyone has ever seen.
In An Ice-Cream War, William Boyd brilliantly conjures up the non-public dramas of a iteration upswept by way of the winds of conflict. After his German neighbor burns his crops—with an apology and a smile—Walter Smith takes up palms on behalf of serious Britain. And whilst Felix's brother marches off to guard British East Africa, he pursues, opposed to his higher judgment, a forbidden love affair. because the sons of the area fit wits and guns on a continent millions of miles from domestic, desperation makes bedfellows of enemies and traitors of family and friends. by means of turns comedian and quietly clever, An Ice-Cream War deftly renders lives capsized by means of violence, probability, and the irrepressible human capability for love.
"Funny, guaranteed, and cleanly, expansively instructed, a seriocomic romp. Boyd supplies us stories of individuals stuck within the facet wallet of calamity and dramatizes their plights with humor, aspect and grit." —Harper's
"Boyd has crafted a quiet, seamless prose during which tale and characters move without problems out of a fertile mind's eye. . . . The reader emerges deeply moved." —Newsday
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Extra resources for An Ice-Cream War
13. 37 Introduction investigated liturgical and political signiﬁcances that the Quarto text may have held for King James and his court in the performance given, as we know, on St Stephen’s Night, 1606—a feast day on which ‘the high were to look out in pity on the tribulations of the low’ (p. 154). 1 The constitution of the acting company available to Shakespeare inevitably helped to shape the play. 3 We know too little about individual actors, but there is no question that Richard Burbage was the company’s principal tragedian, and Shakespeare must have had him very much in mind as he wrote.
69‒79. 3 Geoffrey Bullough studied the case in ‘King Lear and the Annesley Case: A Reconsideration’, Festschrift Rudolf Stamm, ed. E. Kolb and J. Hasler (Berne, 1969), pp. 43‒50. Richard Wilson offers a revisionary account in his Will Power (1993), surmising that ‘the name of Kent, substituted for Perillus, was suggested by the county where the modern Lear was persecuted and tormented’ (p. 49). 1 2 30 Introduction Shaping the Play Professionalism shaped the parameters within which he worked. He knew that his play would be presented primarily in a particular theatre, the Globe, with clearly deﬁned resources: a theatre whose open stage encouraged an emblematic, even symbolical mode of representation.
14] in the opening scene’, and distributes the roles on this basis. 1 2 38 Introduction a moral centre of the play;1 by contrast, Edmund’s cheerful amorality suits an actor of strongly deﬁned, virile personality. We do not certainly know which of Shakespeare’s actors played other roles than Lear. The number of female characters is the same as in Leir, and so, broadly, are their functions, though the wicked sisters do not actually plot to murder their father, and Cordelia is not as conventionally pious as her forebear.
An Ice-Cream War by William Boyd